Mound, hearth, enclosure, roof, and column. The way we see it, Gottfried Semper and scholars already figured out what makes honest tectonic form. We're looking for the element that satisfies our primitive urge to value architecture that's good.

house in seya
by: suppose design office
in: yokohama, japan
 
We never would have bet that a concrete form in a plywood box could be so delightful. Sure, the bedrooms look more like dungeon dwellings in the basement, and the totally transparent bathroom is all the way up on the third floor (we’d be sure to trip in a sleepy midnight stumble up to use the facilities) but what makes it so damn cool is space between the enclosure and the house.  The pebbled courtyard full of growies serves as an extended threshold between public and private space.  We love the way the basic (uninsulated?) plywood framing supports the concrete living spaces.  Sliding partitions allow the space to become one large room or be divided into separate uses.  Would we call this place home? Absolutely…once some frosted glass was installed in the bathroom.

Posted at 11:57am and tagged with: enclosure, mound, residential, yokahama, japan, plywood, concrete,.

house in seyaby: suppose design officein: yokohama, japan  We never would have bet that a concrete form in a plywood box could be so delightful. Sure, the bedrooms look more like dungeon dwellings in the basement, and the totally transparent bathroom is all the way up on the third floor (we’d be sure to trip in a sleepy midnight stumble up to use the facilities) but what makes it so damn cool is space between the enclosure and the house.  The pebbled courtyard full of growies serves as an extended threshold between public and private space.  We love the way the basic  (uninsulated?) plywood framing supports the concrete living spaces.  Sliding partitions allow the space to become one large room or be divided into separate uses.  Would we call this place home? Absolutely…once some frosted glass was installed in the bathroom.

PAS House
by: gil le bon delapointe / francois perrin
in: malibu, california

What if a house had a skatepark built into it?  Almost every surface would be skateable, appliances would be built into ramps, and the entire structure would be integrated into the site to create a fluid riding experience.  This prototype is part of a larger residential design that envisions how skateboarding as a means of transportation as well as entertainment can alter the way in which a structure is conceived.  It’s a rad idea that we’d like to check out for ourselves, but we’d probably be more likely to crash into the model than pull off any trick in there on a skateboard.

Posted at 1:08pm and tagged with: enclosure, skate, house, residential, etnies,.

casa en el cerro
by: miguel barahona
in: spain

While most eyes (including ours) might stare longingly at the U-shaped swimming pool that wraps around the living space, we think the sloped living roofs offer a nice contrast to the simple metal/glass facades.

Posted at 3:16pm and tagged with: roof, pool, spain, barahona, moco loco, green roof, sustainable, residential,.

casa en el cerroby: miguel barahonain: spainWhile most eyes (including ours) might stare longingly at the U-shaped swimming pool that wraps around the living space, we think the sloped living roofs offer a nice contrast to the simple metal/glass facades.

sliding house
in: suffolk, uk
by: dRMM

At the top of the brief given to dRMM, the client wrote: “we are prepared to be radical”.  In 6 minutes, the roof and enclosure of the narrow, linear house, slides effortlessly open to reveal a glass shell beneath the siding.  It is a creative response to connecting the occupants with the changing seasons, weather, and site conditions… As well as an awesome reminder that while building elements have to enclose and protect us, there’s no reason why they must be static.

Posted at 4:30pm and tagged with: enclosure, glass, house, motors, residential, sliding roof, suffolk, youtube, dRMM.,.

Dirty little secret time: I’m an architect-in-training who doesn’t love houses.  

It’s not that I don’t appreciate them, and it’s not to say that I’m not grateful for my own residence, but when push comes to shove and stud wall comes to roof enclosure I’d much rather be drooling over a swanktacular urban high rise or holistic hospital than stare at a single family dwelling…  So that probably explains why it took me nearly 25 years (aka: my lifetime) to see this ginormous piece of structure that has been tucked away in the West Hills for almost a century.

But how do you review a building, let alone a local monument? To critique architecture is to understand that there is a difference between space and place, or what you can actually touch and what your soul feels.  The careful balance of the pair is what makes a building memorable, and to many, what has made Pittock Mansion Portland’s most recognized house and also its most cherished home.

The four story building is constructed in the Renaissance Revival style, meaning that the house doesn’t necessarily resemble one type of structure, but rather the romanticized ideas behind different European building techniques.  The steep roof and grand staircase mimic those of French castles and many of the interior elements are akin to Turkish details.  Be sure to walk around the servant gate lodge, which resembles picturesque Italian manners of the late 1800s.  If you can’t get to Europe, let alone out of the northwest, this is a pretty good glimpse at what you’d see. But unlike other period structures, Pittock was designed with a small footprint, taking up little of the 46 acre site.  The use of local and regional materials, and constructed to preserve much of the surrounding landscape makes it so very Portland.  You almost have to wonder, are we talking about a historic mansion, or the values rooted in many contemporary, sustainable buildings designed in town?  

There’s something to be said about the people who envisioned such a residence.  Who, as children, walked across the entire USA to the northwest, humbly built themselves up through service and work, and were finally able to create their home in the later part of their lives.  Hard work pays off, and this is a fine reminder.  It’s enough to send chills down your spine when you stand at the edge of the paved walkway, and your realize how everything you see, from the grass blades at your feet to the Mt. Hood in the distance has evolved into the world we know today.  While Pittock Mansion will never be the place it was to the Pittock’s, to us, it’s a spot to appreciate the region the house (and we) call home.  Like many others have said, when you stand with a friend and look east beyond the sandstone facade, you’ll find yourself overcome with awe and a perhaps crack a bit of a smile at the overall beauty of the Rose City.  

Which, in my book, is more impressive than any old house could ever be.

Posted at 12:36pm and tagged with: oregon, portland, residential, good,.

patio
by: Thom Faulder 
in: san francisco, california

“I wanted someone to barf when they look at it.”

Not really a statement that most designers strive for, let alone utter, but you’ve got to hand it to client Jeff Dauber and architect Thom Faulder, this patio almost makes you want to loose your lunch in a memorized, why couldn’t I think of that, kind of way.  The concept of pattern is pushed to the extreme, calling upon tricks of the eye that date back to the Renaissance.  However, rather than traditional painted or drawn methods of forced perspective, plywood tiles were designed, manufactured, and hand installed on the small patio to create a vortex centered around an existing maple.  Ultimately, what could have been a banal plane for gathering became an unique piece of art for the house.

While fascinating, projects like this do present a problem with the desire for hyper-customized design.  The patio can really only be viewed in its intended state in a few spots, and even then only at the the eye level of the client.   To create something similar for a mass audience would be a challenge, if not almost impossible… But in the case of vomit enducing architecture? That’s probably not such a bad thing. 

Posted at 10:35am and tagged with: mound, residential, landscape, united states,.

patioby: Thom Faulder in: san francisco, california

“I wanted someone to barf when they look at it.”
Not really a statement that most designers strive for, let alone utter, but you’ve got to hand it to client Jeff Dauber and architect Thom Faulder, this patio almost makes you want to loose your lunch in a memorized, why couldn’t I think of that, kind of way.  The concept of pattern is pushed to the extreme, calling upon tricks of the eye that date back to the Renaissance.  However, rather than traditional painted or drawn methods of forced perspective, plywood tiles were designed, manufactured, and hand installed on the small patio to create a vortex centered around an existing maple.  Ultimately, what could have been a banal plane for gathering became an unique piece of art for the house.

While fascinating, projects like this do present a problem with the desire for hyper-customized design.  The patio can really only be viewed in its intended state in a few spots, and even then only at the the eye level of the client.   To create something similar for a mass audience would be a challenge, if not almost impossible… But in the case of vomit enducing architecture? That’s probably not such a bad thing.